WELCOME
In images I hope are both powerful
and precise, my artwork attempts to capture the strong
yet delicate energy of flowers, the whimsical souls
of farm animals, and the contrasts of the three places
I call home: all subjects that touch my heart as well
as please my eye, and that I hope will do the same for
those of you who view them.

The
first among my “places of
the heart” is Quebec’s Gaspé peninsula,
on the shore of which I was raised. This is a rugged, sometimes
stark landscape full of majestic ocean and mountain views.
Dorset, Vermont, offers long and somewhat gentler vistas
of green mountains, haystack-dotted fields, and also country
fairs, where I photograph farm animals to paint later on
in my studio. Finally, I’ve recently been fortunate
to add time in Vero Beach, Florida to my life. The alizarin
crimsons and violets that characterize Florida’s
East Coast contrast with the greens I see in the North
and have already expanded my palette in exciting ways.
As one who loves color so much, I welcome the challenges
offered by the unfamiliar hues of each new landscape I
see: not just those of the three places I return to

regularly,
but also those I may visit only briefly, on vacation or
in passing.
I work both in oils, which I love for
the boldness and extravagant brushwork they permit, and
in pastels, which
offer
the potential for greater detail and delicacy. My artistic “heroes” include
the nineteenth-century French master Paul Cézanne,
who returned doggedly again and again to such subjects
as Mount Sainte-Victoire in his attempt to capture their
essence; contemporary painter Wolf Kahn, for his intensely
vivid use of color (born out of his own personal color
theory); and Canadian artist Emily Carr, who died
in 1945 and, like me, was powerfully influenced by place.
Despite ill health and other hardships Carr forged a highly
personal art inspired by the expansive land and Aboriginal
life of Canada’s British Columbia. “Pictures
should be inspired by nature, but made in the soul of the
artist,” she said in 1912—and I completely
agree.
